Springfield Maul

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At the intersection of I-95 and Franconia Road, just south of the Washington Beltway is Springfield Mall. I've seen this mall through four decades of cheesy interior design: the groovy chrome, glass and rounded 70s; the angular, linear teal and beige 80s; the conservative primary colored 90s; the minimal post-modern 00s. I've experienced this place before, during, and after the the trends for mobile kiosks, vendor carts, Food Courts, and interior mega-playgrounds. Once it had a carousel inside. Now it's eerily empty and becoming decrepit. Its heyday was probably twenty years ago. Today it looks like an abandoned set from Logan's Run.

I bought many of my Star Wars figurines at KB Toys in the late 70s. My neighbors purchased an gigantic Wurlitzer organ from Kitt's Music. I remember it being a bustling shopping and social hangout when I was a teenager in the 80s. Here is where I saw the premiere of “Spinal Tap” as well as midnight screenings of “Song Remains the Same” and “Rocky Horror Picture Show” (with squirt guns and rice). I bought a pair of parachute pants at the Up Against the Wall here. My friends got rolling papers, nun-chucks and throwing stars at East China Imports. We loitered around Spencer’s, making fun of all the tasteless crap on sale. Nowadays, the mall is nearly empty of shops, with only the big “anchor” stores (Macy's, Target and JC Penny) keeping it or us from completely drifting away. People are concerned about the crime that occurs in the huge vacant parking lots surrounding the uninhabited buildings. On the occasion I took these photos, I saw only one security guard but plenty ubiquitous unblinking cameras surveilling the desolate halls and corners.

I never was fond of malls - especially Springfield Mall. It always seemed less glamorous, and had inferior retailers and restaurants than other malls. But I find it rather sad and spooky now - knowing it's a husk that outlived it usefulness. I hear the owners plan to renovate it into a neighborhood-style commercial/residential area in the pervasive mixed-use gentrification method.

I'm skeptical such changes will lure business and customers back or engender any real community despite the name change from Springfield mall to Springfield Town Center. Springfield is not a destination like Washington, Arlington or Alexandria. It's not even a town. It's a crossroads between other destinations that seems less relevant in todays metropolis. But I hope it does succeed, for right now it's just a spooky and sad reminder of the past, slowly disintegrating and losing its relevancy.

 

This Holiday, #occupytheoven!

May Your Holidays be Occupied with Good Cheer!

Xmas2011
2011 brought great changes to the world around us: the overthrow of tyrants, economic chaos, even the unusual combination of earthquake, hurricane and tornados within the same month near our home. Fortunately, our family is healthy and doing well. But greed and injustice, always too big to fail, have inspired sustained protests all over the world.

Our card depicts the #occupytheoven movement complete with a gingerbread policeman employing non-lethal frosting spray on the protesters. Don't worry, they'll be OK—although we eventually did have to use force to get them all out of the oven. Merry Christmas and Happy Holidays!

Reconnected

Wednesday night, I attended the Washington Printmaker's talk at the Smithsonian American Art Museum. My friend Andrea Way has a beautiful piece called Cicada in their current show of prints called "Multiplicity" curated by Joann Moser.

Cicada

CICADA, Andrea Way -  Silksreen Print 30"x42"

Twenty years ago, I worked hard to bring that print to life when I was the masterprinter at the Hand Print Workshop directed by Dennis O'Neil. Cicada is fairly large for hand-pulled silkscreen and has about 22 layers of color thus making it a challenge in terms of registration and printing. Andrea explains the creation of Cicada at around the 22:00 minute mark of the video on the American Art Museums webpage for the evening's discussion. She doesn't go into too much detail about her process, but suffice it to say that in many ways, her drawing style, comraderie with us printmakers and willingness to explore the possibilities of printmaking techniques made her someone we really enjoyed working with at the studio. Be sure to listen carefully around the 23:38 mark for some serious name-dropping ;) Andrea and I had fallen out of touch over the years,but it was great to reconnect with her and her friends. Please visit her blog and check out her work.

Kogodatrium

The reception in the courtyard during the evening looked amazing.

I enjoyed the show and the panel discussion with Andrea, Joann, Michael Platt, Linn Meyers and Lou Stovall. They touched on a number of interesitng topics. One in particular: "digital printmking" is something I'm going to talk about in my next post.